American Kenpo – A Brief Introduction

American Kenpo
Image via Wikipedia

While Kenpo is a Japanese/Chinese version of karate that developed in Hawaii, the American version of Kenpo was developed by Ed Parker and was developed by a series of his masters, most notably Master Chow, in the 1940′s. Kenpo can also be spelled kempo and means “fist law” or “china hands”. It is a blend of the original Shaolin arts and Karate. There were three forms of Kenpo that Ed Parker taught. One was the Kenpo Karate which he taught to his students in Provo, Utah. A second was called Chinese Kenpo, that he wrote a book based upon chinese-influenced moves called Secrets of Chinese Karate. A third form was American Kenpo and this is the style we will focus upon today.

When Ed Parker died on December 15th, 1990, he left no successor, so it is said that American Kenpo is in decline and the martial arts style that he created is only being taught by two of his students today. Ed Parker was known as the black-belted Mormon and he taught his style to many of the students in BYU, in Utah and later in Pasadena, California.

There is a Kenpo creed that says “I come to you with only “Karate” – empty hands.I have no weapons; but should I be forced to defend myself, my principles or my honor; should it be a matter of life or death, of right or wrong; then here are my weapons – “Karate” – my empty hands.” That creed was developed by Ed Parker in 1957. He founded the Kenpo Karate Association of America.

Kenpo techniques are taught in a three part series. The Ideal, the What-If and the Formulation. The reasoning behind teaching a technique in such a way is that one never knows exactly how an opponent will react to a certain technique. Techniques are taught as techniques.

In American Kenpo there are several degrees of belts, White, Yellow, Orange, Purple, Blue, Green, Third Brown, Second Brown, First Brown, and First through Tenth Black. The final phase is called Shodan.

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Acting Without Thought

Minami Ryu Jujitsu
Image by Steffe via Flickr

If you suspect that martial arts need to be Kung-fu, Jujitsu or Karate, think again. Sensei’s vary in form and format and the thinking that goes with the martial arts spans every art. Case in point: acting without thought. You want to concentrate. Concentrate means to leave the mind free of thought so that the martial arts action is the only known in the moment. This is not a new concept and has been taught and written about for centuries. But this practice is not married to the martial arts alone. You will find dozens of  art forms that demands clear concentration.

Rooks and knights. It is a match of intense wit. The person who knows chess well is also a person who acts on gut feeling. Know your opponent. A chess player feels as much as he sees and acts with thought. Moves and counter moves have been practiced for year and planning ahead is the name of the game. But at one point during any serious match, the time comes when sheer brilliance is not enough. Insight, gut feeling and an ability to read the master in the chair across from you becomes the truest part of the game.

It is at this point where the master of chess will act in similar fashion to the master of Kung fu. All moves memorized, that actions can take place without thought, opening the possibilities for actions that the mind alone cannot create. This is where the art of Kung fu or the art of chess become one played from a place that can never be defined.

Whether throwing a defensive maneuver with the body or doing the same across a board of black and white squares, the mind set is the same. To master each, the act must be first practiced so that it can be done without trying. A master can train the mind to let go in this manner in any venue. It need not be purely martial arts. Letting go of purposeful thought can be practiced anywhere and to be a true master, it should be.

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